Renaissance Duets for Guitar | arr. by Frank A. Wallace

Free Download
Download

Renaissance Duets
arranged by Frank A. Wallace

23 duets from Medieval and Renaissance times
perfect for student and teacher, these duets are arranged in progressive difficulty of rhythm, clefs and position; includes music of Josquin, Machaut, Landini, Powers, Vasquez, de la Rue and more
SUGGESTED DONATION: $10

Become a Patron!

Published: July, 2013

Duration: 28 pages

Difficulty level: Easy to Moderate; mostly single notes; various clefs

Instrumentation: guitar I, guitar II

Recording:

All Gyre compositions are ASCAP
Copyright ©2013 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

These duets were gathered over many decades of experience and from many sources from the 12th-16th centuries. They come from a time when the human voice reigned supreme in the musical world and all possess dynamic rhythm and lyrical melodic line. As you will see, most are for equal voices with a relatively small range, so they lend themselves perfectly to two guitars.

I present them to be used for various purposes: sight-reading, learning new clefs, history lessons, ensemble skills, learning the fingerboard. For the latter purpose, I have indicated at the beginning of each piece the positions which might be appropriate, including alternative positions on the fingerboard and reading up one octave, a valuable skill. When not indicated, assume 1st or 2nd position.

CLEFS: guitar music is notated one octave lower than it sounds. Gyre Editions always use an 8 under the treble clef to confirm this custom. Fenice Fu, at the end of the book, deletes the 8vb so that for the piece to sound properly, you must read up one octave from what you are accustomed to. Bass clef is included on several pieces as i consider it an essential skill.

TEMPO: Tempo is an unknown in very early music. Tempos given are suggestions only, but do come from familiarity with the words and performance experience.

SLURS: add slurs as you see fit to express a lyrical line. There is no historical information on this subject in these early time periods, nor is it our purpose here to re-create authentic historical performance. We do know that plucked instruments from this time were probably always played with plectra and most had gut strings – steel or bronze was not yet developed.

HEMIOLA: the alternating division of 6 beats from 3 groups of 2 to 2 groups of 3, sometimes done in melodic succession, sometimes simultaneously in multiple voices/parts or irregularly overlapping as in Mano a Mano (see #16m page 17, measure 3-4). Characteristic of Spanish Renaissance and Baroque music, as well as certain flamenco styles, the hemiola adds drive and excitement. Exercises are included to help young musicians practice feeling the accents going against each other by themselves, before joining a duo partner. I have found that there is a “catch-22” in hearing and playing music: one cannot play what one cannot hear; but one cannot hear what one cannot play! So even when you are playing these pieces as duets with a friend or teacher, you will hear the rise and fall of the other part better if you have learned to execute these exercises. There are innumerable places in solo repertoire where these techniques add grace, clarity and excitement as well as new timbral palettes.

Gyre Publications
Copyright ©2013 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

Epitafio a un Pájaro | Garcia Lorca poem set by Frank A. Wallace

Free Download
Download

Epitafio a un Pájaro
poetry by Federico Garcia Lorca, music by Frank A. Wallace

for mezzo-soprano, flute and two guitars, op. 62; PARTS INCLUDED
SUGGESTED DONATION: $20

Become a Patron!

Written: January, 2011
Lyrics: poetry by Federico Garcia Lorca
Language: Spanish
Duration: 14 minutes; 16 pages
Difficulty level: Moderate; mostly single notes for guitars
Instrumentation: flute, mezzo-soprano, guitar I, guitar II
Recording: Gyre Spotlight One by Duo LiveOak and Nury Ulate and David Mozqueda (who did the Mexican debut with Duo LiveOak at the Cuerdas y Canto Festival in Toluca Mexico in August 2011); thanks to Pablo Garibay who made the recording
Supported by: a NH Arts Council Project Grant supported the creation, debut and recording of Epitafio.

All Gyre compositions are ASCAP
Copyright ©2015 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

A short film on the recording of Epitafio a un Pájaro by Pablo Garibay in Toluca, Mexico, 2011

This is a series of works I have composed in honor of Federico García Lorca over the past two years;
1.) Ovejita is a song with ten-string guitar;
2.) Sombra para los Gritos was written in late August 2011 for ChromaDuo;
3.) Epitafio a un Pájaro was written in January 2011 for mezzo, flute and two guitars;
4.) La Perla del Pico was written Sept. 4-6, 2011 for flute and four guitars;
5.) De la Muerte Oscura was written January 13, 2012 for narrator and guitar for Lynn McGrath and has not been recorded yet
6.) Un Establo de Oro was written January 20-27, 2012 for flute, cello and two guitars.

Special thanks go to the New Hampshire Arts Council for supporting the creation, debut and recording of Epitafio; Jose Lezcano and Jennifer Yeaton-Paris for their fine performances on the debut; Nury Ulate and David Mozqueda who did the Mexican debut with us at the Cuerdas y Canto Festival in Toluca Mexico in August 2011 and are featured in this track, and to Pablo Garibay who made the recording. Thanks also go to the Mariposa Museum, Keene State College and the Concord Community Music School for their support.

Epitafio a un Pájaro was written in the memory of Linda Marsella, co-founder of the Mariposa Museum in Peterborough NH with David Blair. I had been incubating an idea for over three years to write a composition in honor of Linda, who died at a tragically young age in 2007. It is my thank you to the Museum for all their support of Duo LiveOak and of the southern NH community in general. “Epitafio a un pajaro” (Epitaph for a Bird) is a song based on a poem by Federico Garcia Lorca. It concludes with “And this night I will send / to cover your body / an enormous butterfly / of my only kiss. Memento!” Lorca was a favorite of Linda’s and this poem was read at her memorial service on 07/07/07. Linda dreamed of a peaceful and connected world and wanted to bring the world to New England’s doorstep by providing extraordinary programs and celebrations of world cultures.

The central image of the poem is the bird that has died. The flute, of course, is the bird and carries on a dialogue with the singer who tells it she will be laid to rest on a bed of chrysanthemum and asks it to give greetings to her little brother who is already in Limbo. The poem ends with the symbol of the butterfly as a shroud. Linda identified with the butterfly – hence the Museum’s name. The three sections weave together various musical themes that are built on the names of both the poet Lorca and the honoree Linda. Both diatonic and chromatic versions of their names were created, as well as harmonic and melodic versions. The result has given me inspiration for five pieces now: Epitafio a un Pájaro; Sombra para mis Gritos; La Perla del Pico; and recently a piece for narrator and guitar for Lynn McGrath, De la Muerte Oscura, and finally Un Establo de Oro.

[Epitafio a un pájaro]

[…………………] y sus ojos tuvieron
profundidad de siglos
mientras se le irisaba
la gran perla del pico
Adiós pájaro verde
Ya estarás en el Limbo
Visita de mi parte
a mi hemano Luisillo
en la pradera
con los mamoncillos
¡Adiós pájaro verde
tan grande y tan chico
¡Admirable quimera
del limón y el narciso!Acción de gracias
Gracias, Señor lejano.
Señor y Padre mío
que me das una inmensa
lección de lirismo.¡Oh Santo, santo, santo
que muestras el divino
momento de la muerte
sin velos, a mi espíritu!Dame la dignidad
del pájaro y el ritmo
de las alas abiertas
ante lo sombrío.¡Oh Santo santo santo!
Esta noche te pido
agua para mis ojos,
sombra para mis gritos!

Memento

He acostado al cantor
sobre un gran crisantemo
y escribo su epitafio.

Memento.

La Tierra duerme bajo
su mantilla de viento
con mares encrespados
y con mares serenos.

Memento.

Ahora mismo se hacen
preguntas los luceros.
Tú sabes la respuestav
que no conocen ellos.

Memento.

Yacerás esta noche
sobre un lírico lecho.
¿Qué niño durmió nunca
en una flor su sueño?

Memento.

Y esta noche enviaré
para velar tu cuerpo
la mariposa enorme
de mi único beso.

¡Memento!

Translation by Nancy Knowles
…and her eyes had
the depth of centuries
while the great pearl
of her beak glowed.
Goodbye green bird
You must already be in Limbo
Visit for me
my brother Luisillo
in the meadow with the
honeyberries.
Goodbye, green bird
So big and so small
You incredible chimera
of lemon and narcissus!The giving of thanks
Thank you, far-off Lord.
Lord and my Father
–you give me an immense
lesson in lyricism.

Oh Holy, holy, holy
you reveal the divine
moment of death
without veils, to my spirit!

Give me the dignity
of this bird and the rhythm
of wings open
to the dark.

Oh Holy, holy, holy!
Tonight I beg of you
water for my eyes,
shadow for my cries!

Remember

I have laid the singer
down upon a great chrysanthemum
and I write her epitaph.

Remember.

The Earth sleeps under
its shawl of wind
with surging seas
and with peaceful seas.

Remember.

Now the stars
are asking questions.
You know the answer
that they know not.

Remember.

You will stretch out
tonight on a poetic bed.
What child has never
slept his dreams on a flower?

Remember.

And tonight I will send
to watch over your body
the enormous butterfly
of my only kiss.

Remember!

Betty Botter | guitar quartet by Frank A. Wallace

Free Download
Download

Betty Botter
by Frank A. Wallace

A whimsical fancy based on an old nonsense rhyme, original version for four voices, this arrangement is for four guitars. Includes parts.
SUGGESTED DONATION: $8.00

Become a Patron!

Commissioned by: Nancy Knowles for the women’s choir Halcyon

Written: 2005

Duration: 4:30 minutes; 10 pages

Instrumentation: four guitars

Difficulty level: moderate, some complex rhythms, mostly single notes, few chords

World premiere: fall 2007, Keene State College Guitar Ensemble

All Gyre compositions are ASCAP
Copyright ©2005 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

Betty Botter – four voices begin with a round that slowly morphs into new textures. Originally written for the female vocal ensemble Halcyon under the direction of Nancy Knowles, this version adds some chords and thicker textures for the guitars.

Cancionero Nuevo (guitar) | arr. by Frank A. Wallace

Free Download
Download

Cancionero Nuevo
arr. by Frank A. Wallace

A New Harvest of Old Spanish Songs: 34 songs for medium voice with guitar accompaniment
SUGGESTED DONATION: $12.00

Become a Patron!

Duration: 40 pages

Instrumentation: Voice and guitar; also in tablature for lute or vihuela

Difficulty: Most songs have a modest range for any singer and can be played by intermediate guitarists.

All Gyre compositions are ASCAP
Copyright ©2008 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

This is a sample from Duo LiveOak’s recording Piva, which includes several selections from this Cancionero: Como está sola mi vida, Tan buen ganadico and Si d’amor pena sentís.

Arranged by Frank Wallace for guitar and solo medium voice. This new edition (July 2008) is not simply a rendition of the French tablature version, but uses different keys and normal ‘G tuning” on the third string. Use of a capo is thus optional. Many of these songs can be heard on Duo LiveOak’s recording PIVA, samples are on the listen tab.

Songs of the 16th century from the Cancionero de Palacio, the songbook of the royal house of Spain in the late 15th century, and the Cancionero de Uppsala. 34 songs of the simplest to the most sophisticated by Juan del Encina, Juan Ponce, Johannes Cornago and many more. A great way to learn self accompaniment.

Original words in Spanish and Portuguese with translations by Nancy Knowles are available for your use: Cancionero Nuevo words and translations. Please acknowledge the translater if you use any for your programs. The first song you hear on the listen tab is:

Como está sola mi vida [Juan] Ponce
How alone my life is,
Full of many cares,
Weakened by lamenting,
Crying over painful pasts.
She complains to she knows not whom
Of the trouble that hurts her so much;
She says that she has lost her well-being;
She finds no one to console her.
ΨΨΨ
Como está sola mi vida,
Llena de muchos cuidados,
Lamentando amortecida,
Llorando males pasados.
Quéxase no sabe a quien
Del mal que tanto le duele;
Dize que perdió su bien,
No halla quien le consuele.

Bestiary | Six comic songs for mezzo, baritone & guitar by Frank A. Wallace

Free Download
Download

Bestiary
by Frank A. Wallace

Six comic songs of medium to high difficulty for mezzo-soprano, baritone and guitar; op. 20; INCLUDES PARTS.
SUGGESTED DONATION: $20.00

Become a Patron!

“[Bestiary] is a sure-fire audience pleaser.”

––Rita M. Resch, Journal of Singing, NATS, March/April 2006

Lyrics: Poetry by Theodore Roethke and Nancy Knowles

Written: fall, 2001

Duration: 12 minutes; 18 pages

Instrumentation: soprano, baritone and classical guitar

Difficulty level: Very difficult

Vocal range: soprano A3-F5 ; baritone G2-G4 (only one high G in a sprechstimme style

Language: English

Recording: Woman of the Water by Duo LiveOak on Gyre, 2004

All Gyre compositions are ASCAP
Copyright ©2001 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

Bestiary was conceived as a light, comic moment with which to end our concerts. The texts are tongue-in-cheek commentaries on the lifestyles and characteristics of animals by Theodore Roethke and Nancy Knowles. You will hear a touch of Broadway from the Bear, lumbering imitative melodies from the Sloth, dark subterranean 12-tone arpeggios in the Mole, a jolly English country tune from the Cow, bluesy dissonance from the Snake and wild rhythms and wailing cries from the Serpent.

“Duo LiveOak…presented an exquisite program of their own music including Bestiary, a set of pieces built around poems by Theodore Roethke. These are lovely pieces with just the merest astringency of modernist tonalities.”

––Mark Greenberg on the First Skidmore College Guitar Festival, October 29, 2005 [www.nyccgs.org]

Gyre Publications
Copyright ©2001 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

Bestiary by Frank A. Wallace

I. The Sloth
In moving-slow he has no Peer.
You ask him something in his Ear,
He thinks about it for a Year:
And, then, before he says a Word
There, upside down (un-like a bird),
He will assume that you have Heard–
A most Ex-as-per-at-ing Lug.
But should you call his manner smug,
He’ll sigh and give his Branch a Hug;
Then off again to Sleep he goes,
Still swaying gently by his Toes,
And you just know he knows he knows.
Roethke

II. The Cow

There Once was a Cow with a Double Udder.
When I think of it now, I just have to Shudder!
She was too much for One,
you can bet your Life:
She had to be Milked by a Man and his Wife.
Roethke

III. The Lady and the Bear
“O why are you fishing that way?
Tell me, dear Bear there by the stream,
why are you fishing that way?”
“I am what is known as a Biddly Bear,
That’s why I’m fishing this way.
We Biddly’s are Pee-cu-liar Bears,
And so, I’m fishing this way.”
“And besides it seems there’s a Law:
A most, most ex-ac-tious Law
Says a Bear Does-n’t dare Does-n’t dare
Does-n’t DARE Use a Hook or a Line,
Or an old piece of Twine,
Not e-ven the end of his Claw, Claw, Claw,
Not e-ven the end of his Claw.
Yes, a Bear has to fish with his Paw, Paw, Paw.
A Bear has to fish with his Paw.”

“O it’s Wonderful how with a flick of your Wrist,
You can fish out a fish, out a fish, out a fish,
If I were a fish I just couldn’t resist
You, when you are fishing that way that way.”

And at that the Lady slipped from the Bank
And fell in the stream still clutching a Plank,
But the Bear just sat there until she Sank;
As he went on fishing his way, fishing his way.
Roethke

IV. The Star-nosed Mole
Oh the starnosed mole
is a bird
with a soul
for rather than
sing with a
cheep cheep cheep
or swim in the
ocean so
deep deep deep
under our feet
he doth
creep creep creep
Knowles

V. The Snake
I saw a young snake glide
Out of the mottled shade
And hang, limp on a stone:
A thin mouth and a tongue
Stayed, in the still air.

It turned; it drew away;
Its shadow bent in half;
It quickened, and waas gone.

I felt my slowblood warm.
I longed to be that thing,
the pure, sensuous form.

And I may be, some time.
Roethke

VI. The Serpent
There was a serpent who had to sing.
He simply gave up serpenting
Because. He didn’t like his Kind of Life;
He couldn’t find a proper Wife;
He was a Serpent with a soul;
He got no Pleasure down his Hole.
And so, of course, he had to Sing,
And Sing he did like Anything!
The Birds they were, they were Astounded;
And various Measures Propounded
To stop the Serpent’s Awful Racket:
They bought a Drum. They, They,
He wouldn’t Whack it.
They sent, to Cuba
You always send,
And got a Most Commodious Tuba;
They [They, They] got a Horn,
They got a Flute,
But Nothing would suit.
He said, “Look, Birds, all this is futile:
I do not like to Bang or Tootle.”
And then he cut loose with a Horrible Note
That practically split the Top of his Throat.
“You see,” he said, with a Serpent’s Leer,
“I’m Serious about my Singing Career!”
And the Woods Resounded with many a Shriek
As the Birds flew off to the end of Next Week.
Roethke

“The Sloth”, copyright 1950 by Theodore Roethke, “The Cow”, copyright 1950 by Theodore Roethke, “The Lady and the Bear”, copyright 1951 by Theodore Roethke, “Snake”, copyright @ 1955 by Theodore Roethke, “The Serpent”, copyright 1950 by Theodore Roethke,from COLLECTED POEMS OF THEODORE ROETHKE by Theodore Roethke. Used by permission of Doubleday, a division of Random House, Inc. “The Starnosed Mole” used by permission of the author.

Cunctipotens Genitor | guitar solo by Frank A. Wallace

Free Download
Download

Cunctipotens Genitor
by Frank A. Wallace

A modern tapestry of polyphony and instrumental fantasy for guitar solo based on medieval chant.
SUGGESTED DONATION: $7.00

Become a Patron!

Duration: 8 minutes; 4 pages

Instrumentation: guitar solo

Difficulty level: moderate difficulty; stretches

Written: fall, 1997

World premiere: Frank Wallace in Wurzburg, Germany, 2007

Recording: Oracion by Jan Bartlema on Daminus, 2012

Review: “…outstanding musical quality.” Classical Guitar, April, 2013

All Gyre compositions are ASCAP
Copyright ©1997 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.


I became involved with the performance of medieval music shortly after graduation from the San Francisco Conservatory. In the fall of 1974 I joined the Quadrivium, a school of performance of early music in the Boston area run by my mentor-to-be Marleen Montgomery. I fell in love with the sounds and spirituality of the repertoire. That feeling deepened in 1979 when my ensemble Trio LiveOak spent three months hiking through the Pyrenees to sing in dozens of the 2,000 Romanesque chapels of Catalunya, Spain.

The piece starts with not the actual chant, but a second part that comes from the St. Martial school chant. The two-part version is then heard and is woven into a modern tapestry of polyphony and instrumental fantasy around the three sections of the tune.

After Sylvius (lute) | by Frank A. Wallace

Free Download
Download

After Sylvius
by Frank A. Wallace

for 10-course lute in three movements, inspired by Sylvius Leopold Weiss.
SUGGESTED DONATION: $8.00

Become a Patron!

Duration: 11:00

Instrumentation: lute

Difficulty level: very difficult, high notes, low scale passages

All Gyre compositions are ASCAP
Copyright ©2002 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

It was difficult to decide whether to call this piece After Sylvius or After Domenico! Influences from both great Baroque composers abound in these three movements in F minor: Largo, Allegro and Passacaglia in C minor.

A Single Veil | for voice and guitar by Frank A. Wallace

Free Download
Download

A Single Veil
by Frank A. Wallace
Six spiritual songs for mezzo-soprano and guitar; poems by various authors.
SUGGESTED DONATION: $10.00

Become a Patron!

“‘A Single Veil’ seems to me the most interesting piece of music for voice and guitar which I’ve come across during at least the past twenty years.”

––Christian Kellnberger, guitarist from Munich, Germany

Preview: a sample PDF of A Single Veil

Duration: 12 minutes; 12 pages

Instrumentation: mezzo-soprano and guitar

Vocal range: G3 – F5

Difficulty level: Moderate

Language: English and English translations

Written: summer, 2001

World premiere: October, 2001 by Duo LiveOak at the La Jolla GFA

Recording: Duo LiveOak’s CD Woman of the Water

All Gyre compositions are ASCAP
Copyright ©2001 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

from Duo LiveOak’s CD Woman of the Water

These six songs of medium to high difficulty are written on spiritual texts from Rumi, Shem Tov Ben Palquera [Sephardic], Eugene Guillevic, Robert Creely and Nancy Knowles. All in English translation or original English, the songs progress from jarring anger to calm, quiet love. I started these songs while on vacation in San Miguel de Allende in June of 2001, finished them on my return and they were debuted October, 2001 by Duo LiveOak at the La Jolla GFA. They are my first song cycle and written for and dedicated to my long time partner, best friend and love, mezzo Nancy Knowles. I had written a whole album of guitar solos and more – she was getting angry at me!

“‘A Single Veil’ seems to me the most interesting piece of music for voice and guitar which I’ve come across during at least the past twenty years.”
Christian Kellnberger, guitarist from Munich, Germany

Gyre Publications
Copyright ©2001 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

I. Radiance

Don’t try to hide inside anger
radiance that cannot be hidden.

by Rumi
from The Essential Rumi,
Coleman Barks, translator
Harper San Francisco, 1995

II. A Falling Darkness

If fear is like a rock,
Then I am a hammer.
If sorrow is a fire,
Then I am the sea.
When it comes, my heart
Increases its strength,
Like the moon that shines brighter
When the darkness falls.

by Shem Tov Ben Palquera
from The Jewish Poets of Spain, 900-1250
David Goldstein, translator
Penguin Books, 1965

III. A Single Veil

Don’t say that day is the same as night
Don’t say that night is alien to day

A single veil is woven across all things
and tears sometimes

in day’s brightness
or night’s black.

by Eugène Guillevic
excerpt from Elégie de la Forêt Sainte-Croix
Guillevic Selected Poems
Denise Levertov, translator
New Directions, 1968, 1969

IV. Towards the Sun

Is there some mischief afoot
in the heavens?
Some ruse the Gods have yet to reveal?
Or am I being tried
for sins I remember not?

Like a flower in a drought
I reach towards the sun,
as long accustomed,
but it beats me back, weary,
to the earth.

I shall try again tomorrow.

by Nancy Knowles, 1974

V. Love Comes Quietly

Love comes quietly,
finally, drops
about me, on me,
in the old ways.

What did I know
thinking myself
able to go
alone all the way.

by Robert Creeley
from For Love
Charles Scribner’s Sons, NY, 1962

VI. Lullaby

And slowly, slowly
all the small
trickles and streams and
creeks and rivers
wend their way
back together
back to the sky.

by Nancy Knowles, 1974

Dake’s Song | guitar solo by Frank A. Wallace

Free Download
Download

Dake’s Song
by Frank A. Wallace

A short melodic piece of medium difficulty for classical guitar; a meditation on loss – one month after.
SUGGESTED DONATION: $3.00

Become a Patron!

Written: October 11, 2001

Duration: 3:30; 2 pages

Instrumentation: solo for guitar

Difficulty level: moderate

Recording: Woman of the Water CD by Duo LiveOak, 2004

All Gyre compositions are ASCAP
Copyright ©2001 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

A short melodic piece of medium difficulty dedicated to luthier Dake Traphagen to show off the beautiful tonal palette of La Pareja, his cypress and spruce classical guitar built for me in 1997. It was written one month after the terrible tragedy of 9/11.

Purchase MP3s of Dake’s Song and all of the Woman of the Water CD on iTunes.

A Season of Light | 30 arrangements for Christmas by Frank A. Wallace

Free Download
Download

A Season of Light
by Frank A. Wallace
30 Carols from many lands and times for solo classical guitar
Suggested donation: $14.00

“…a beautiful collection of Christmas music from across the centuries, played, composed, and arranged by Frank Wallace…a true master of his instrument…His dynamic range is impressive, and his gradations of tone, constantly singing line, and sensitive musicianship confirm his “elegant virtuosity*”…”

 ––Robert Schulslaper , Fanfare, Nov/Dec 2008
(*www.classicstoday.com)

Duration: 55 minutes; 32 pages

Difficulty level: easy to hard, generally three part chords and polyphonic textures

Instrumentation: classical guitar

Written: fall/winter 2006/2007

Recording: JOY: carols and songs for a Season of Light by Frank Wallace on Gyre (2007)

All Gyre compositions are ASCAP
Copyright ©2007 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

A Season of Light
30 carols for guitar solo arranged and composed* by Frank A. Wallace

I. Joy to the World
II. The First Noel
III. Silent Night
IV. There is No Rose
V. O Come Emanuel
VI. Les Pasteurs de la Judea
VII. Beata Progenies
VIII. Star in the East
IX. God Rest Ye Merry Gentlemen
X. A Shining*
XI. Cuando el Rey Nimrod
XII. A los Maytines
XIII. Aro que Nostre Seign’es Nat
XIV. March* XV. Greensleeves XVI. Coventry Carol
XVII. Noel Nouvelet
XVIII. Master in This Hall
XIX. Amb un Viudo
XX. Stella Splendens
XXI. On This Day
XXII. Carillon*
XXIII. Dawn of the Doves*
XXIV. Away in a Manger
XXV. Sing We to This Merry Company
XXVI. O Holy Night
XXVII. J’ai Ouy la Voix
XXVIII. Santa María Strella do Dia
XXIX. Venite a Laudare
XXX. Per Nadal Farem Gran Festa

Soundboard Review, September 2009
“Here is a fine anthology of thirty pieces for Christmastide…Wallace’s arrangements of Greensleeves, Silent Night and Oh Holy Night are very good indeed…For anyone looking for a wide range of familiar and lesser known music for December, this anthology fits the bill nicely.”
— David Norton, Soundboard Volume XXXV, No. 3, 2009

A Season of Light is a collection of standards and works that were beloved songs from my days of making music with lutes, viols and voices with Trio LiveOak and the Quadrivium in Boston. It is a joyous coming together of my past and present. While each piece is an individual arrangement, the book was executed in the final order and conceived with an over-reaching arc of key structure, style and mood. Four original works are included. The PDF sampler above is a selection of six pieces, please enjoy and share it freely with others.

“I got to read a lot of these today and they are really terrific. I don’t normally think of artistic content and commercial success at the same time but I think that this collection should be very successful. I have most of the commercially available collections of Christmas music for CG and yours is really the best for a number of reasons and I think most players would agree. Everything lies beautifully on the instrument and the modal harmonies and counterpoint (reminiscent of many pieces from Francesco DaMilano to Sylvius Weiss)! It’s a great work and I wish you the best.”  –Louis Arnold, guitarist