Cancionero Nuevo (lute) | arr. by Frank A. Wallace

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Cancionero Nuevo
arr. by Frank A. Wallace

A New Harvest of Old Spanish Songs: in French Tablature for lute or vihuela
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Duration: 40 pages written in French tablature

Instrumentation: medium voice and lute or vihuela; also arranged for guitar and voice

Difficulty: Most songs have a modest range for any singer and can be played by intermediate guitarists.

All Gyre compositions are ASCAP
Copyright ©2008 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

This is a sample from Duo LiveOak’s recording Piva, which includes several selections from this Cancionero: Como está sola mi vida, Tan buen ganadico and Si d’amor pena sentís.

Many of these songs can be heard on Duo LiveOak’s recording PIVA, samples are on the listen tab. Songs of the 16th century from the Cancionero de Palacio, the songbook of the royal house of Spain in the late 15th century, and the Cancionero de Uppsala. 34 songs of the simplest to the most sophisticated by Juan del Encina, Juan Ponce, Johannes Cornago and many more. A great way to learn self accompaniment.

Original words in Spanish and Portuguese with translations by Nancy Knowles are available for your use: Cancionero Nuevo words and translations. Please acknowledge the translator if you use any for your programs. The first song you hear on the listen tab is:

Como está sola mi vida [Juan] Ponce
How alone my life is,
Full of many cares,
Weakened by lamenting,
Crying over painful pasts.
She complains to she knows not whom
Of the trouble that hurts her so much;
She says that she has lost her well-being;
She finds no one to console her.
ΨΨΨ
Comoˆestá sola mi vida,
Llena de muchos cuidados,
Lamentando amortecida,
Llorando males pasasados.
Quéxase no sabe a quien a quién
Del mal que tanto le duele;
Dize que perdió su bien,
No halla quien le consuele.

El Canto | for soprano, tenor & lute by Frank A. Wallace

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El Canto
by Frank A. Wallace

for soprano, tenor and lute (vihuela) op. 35b
PARTS INCLUDED; guitar version also available
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lyrics: poem by Mexican artist Jaime Goded

Written: 2003

Language: Spanish

Duration: 4:20 minutes; 8 pages

Instrumentation: soprano, tenor and lute (originally conceived as mezzo-soprano, baritone and bass vihuela)

Difficulty level: Moderate ensemble parts; fast scales in Mezzo and lute

World premiere: August 5, 2005 at the International Guitar Festival, Arequipa Peru, by Duo LiveOak

All Gyre compositions are ASCAP
Copyright ©2003 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.


Elizabeth Merrill, mezzo; Christian Waugh, baritone; Jeremy Lyons, guitar perform El Canto in recital at Peabody Conservatory in Griswold Hall on Sept. 22, 2012

We met Jaime Goded through his art in San Miguel in the summer of 2001 while there on vacation. Jaime has a beautiful studio on the plaza where we met his wife, Evelyn, and gave her a CD in admiration of Jaime’s work. The next day she returned with this poem, hand-written, as a gift to us. I wrote the song four years later for the Arequipa Guitar Festival, where Duo LiveOak debuted it.

Gyre Publications
Copyright ©2003 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

La Canción

Ocurre la forma del azul
con la mirada
que marca el paso
del crepúsculo
y pretende proseguir y se detiene;
las manos y su fuerza musical
aprietan
escuchando de la boca
el parpadeo.
Inicia el canto.
Empieza la musica.
El dibujo es la poesía dispuesta
y la escultura organiza la danza.
Inicia el canto
que no acaba.

Jaime Goded
Marzo de 1999
San Miguel de Allende, Guanajuato, México

The Song
translation: Nancy Knowles

The shape of blue emerges
with the glance
that marks the approach
of dawn
and it pretends to follow
but it holds back;
its hands
and its musical strength
holding
listening to the mouth’s
fluttering.

The singing begins.

The music commences.
Drawing is poetry willing
and sculpture
organizes the dance.
The song begins
that never ends.

 

Voices in the Dark | six songs for baritone & lute by Frank A. Wallacew

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Voicxes in the Dark
by Frank A. Wallace

Six songs for baritone and lute
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Written in: 2000

Duration: 13:00; 15 pages

Instrumentation: baritone and 6-7 courselute (tablature

All Gyre compositions are ASCAP
Copyright ©2000 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

This collection of songs (including the Fantasy #1 for solo lute which can be played as a prelude) celebrates the poetry and lives of unknown poets [including myself]. I am always attracted to the words of people I know perhaps more so than the eloquence of the “greats.” This poetry was written by various LiveOak voice workshop participants over the course of one weekend. The “assignment” was to write a short poem without “thinking.” See what is around and in front of you without judgment, without filters. The results were unexpected and spectacular. After a short Song Without Words, these were my first songs and they evolve from a very Renaissance style polyphony to modern harmonies and textures.

1). I Have Loved Frank Wallace

2). Moments of Life Frank Wallace

3). Voices in the Dark Christine van Dyke

4). Marianne William Hartner

5). Tired She Dreams Nancy Knowles

6). What Still Stands Christine van Dyke

Gyre Publications
Copyright ©2000 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

Click here to read all poems from Voices in the Dark – poems

Pearly Everlasting | mezzo, baritone & lute or keyboard by Frank A. Wallace

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Pearly Everlasting
by Frank A. Wallace

For baritone and soprano with 10-course lute or piano
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Poetry: by Nancy Knowles

Duration: 11 pages; 5:54

Instrumentation: baritone, soprano with TAB for 10-course lute or mensural notation for keyboard

Difficulty: modest range for any singer and can be played by intermediate lutenists

Language: English

World premiere: January 30, 2009; Long Beach Guitar Society by Duo LiveOak

Recording: Duo LiveOak, Woman of the Water; 2004 on Gyre

All Gyre compositions are ASCAP
Copyright ©2001 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

Originally written in tablature for ten-course lute, your download will also include a keyboard version. This elegy, with lyrics by Nancy Knowles, was written shortly after the tragic death of our former partner John Fleagle, beloved singer/instrumentalist of the Boston early music scene. It is a reflection on the play of light and dark, shine and shadow, and contains a favorite tune of John’s by Guillaume de Machaut: Comment q’ua moy.

I.

Once again the Body
turning ever
the Light
reflects
transluces
becomes
all while the Shadow’s Company
embracing,
the Ancients
joining.

Of Them Roots drink,
Leaves inspiring,
outspiralling
the warm Breath
of Forever.

II.

Here on Earth
choked by Reflection
we strive to make
Shadow

Shining through
wants Shade,
else it’s all
in vain.

Vanities:
lit candles in noonday Sun,
melting fast.

by Nancy Knowles

The Great Deep | songs for ten-string guitar & tenor by Frank A. Wallace

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by Frank A. Wallace
for high voice and 10-string guitar, eight songs on life’s final journey, op. 51
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Duration: 16 minutes; 24 pages

Written in: November, 2008

Instrumentation: tenor or soprano and ten-string guitar; piano version available here

Difficulty: both parts concert level

World premiere: January 30, 2009; Long Beach Guitar Society by Duo LiveOak

Recording: Duo LiveOak, The Great Deep; 2010 on Gyre, 1/11/11

All Gyre compositions are ASCAP
Copyright ©2008 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

From the CD The Great Deep by Duo LiveOak

Eight moving songs pondering life’s greatest mystery, for high voice with lush accompaniments on 10-string guitar. Well-known poems by Turner, Donne, Pope, Shelley, Rossetti, Shakespeare, and Tennyson. The Great Deep was written in November of 2008. Wallace dedicated this song cycle to the parents of his wife and himself as three of them move well into their 90’s. The poems reflect on the transition from this life to the mysterious beyond.

The songs are:
1) The Glory that we Knew, Walter James Turner, 1889-1946
2) For whom the Bell Tolls, John Donne, 1572 –1631
3) Vital Spark of Heavenly Flame, Alexander Pope, 1688 –1744
4) Music, when Soft Voices die, Percy Bysshe Shelley, 1792–1822
5) Ode to the West Wind, Percy Bysshe Shelley, 1792–1822
6) When I am Dead, My Dearest, Christina Georgina Rossetti, 1830-1894
7) Our revels now are ended, from The Tempest, Act IV, Scene I, William Shakespeare
8) Rain, rain, and sun!, from The Coming of Arthur, Alfred, Lord Tennyson, 1809 – 1892

Click on this link to see the complete poetry of The Great Deep
, song cycle by Frank Wallace

1. The Glory that we Knew, Walter James Turner, 1889-1946
Who shall invoke when we are gone
The glory that we knew?
Can we not carve To-Day in stone,
In diamond this Dawn’s dew?

The song that heart to heart has sung
Write fadeless on the air:
Expression in eyes briefly hung
Fix in a planet’s stare?

Alas, all beauty flies in Time
And only as it goes
Upon death’s wind its fleeting chime
Into sad memory blows.

Is this but presage of re-birth
And of another Day
When what within our hearts we said
We once again shall say?

On no! we never could repeat
Those numbered looks we gave:
But some pure luster from their light
All future worlds shall have.

The Game | five songs by Frank A. Wallace

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The Game
by Frank A. Wallace

five songs for medium voice and guitar, op. 50; poems by Frank A. Wallace
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Written: December 2007 and dedicated to the composer’s sons Gus and Adam Wallace

Duration: 16 pages; 14 minutes

Instrumentation: medium voice and guitar; ten-string optional

All Gyre compositions are ASCAP
Copyright ©2007 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

Five songs which comprise The Game [of life] was composed in the fall of 2007 out of desperation – desperation to create after several months of hellish administrative work and after a year of completing arrangements and recording of my Christmas project, A Season of Light. I needed to reconnect with my creative muse and these poems seemed the perfect path to that goal. They had been written at various times, but all speak of the joys and sorrows of raising a family in the country and my own struggles with finding a sense of place, having been born in Texas, raised in California and then settling in New England.

I. Manhattan
II. Furrowed Brow
III. Deep
IV. Tell us True Love
V. Vision

View a PDF of the complete poetry of The Game. Here is the fifth poem of the cycle:

The crones stand
Embracing their dead
Rot peeled bark
Like old skin.

Were it found
By a sidewalk
Café in Manhattan
Folks would scowl

But ‘twere found
Etched and carved,
Cast in bronze…

Here time is patient
Wood more graced
Life colors
And death
Feeds.

Frank with ancient apple tree

Me with an old crone that inspired this poem—an ancient apple tree surrounded by young saplings.

The Chimes | ten-string guitar and mezzo by Frank A. Wallace

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The Chimes
by Frank A. Wallace

four songs on texts by Charles Dickens for medium voice and 10-string guitar
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Duration: 9:00; 12 pages

Instrumentation: Voice and guitar

World premiere: January 8, 2010, Concord NH, by Duo LiveOak

Recording: The Great Deep by Duo LiveOak on Gyre, 1/11/11

All Gyre compositions are ASCAP
Copyright ©2008 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

I was looking for something else to write for my new 10-string guitar by Stephen Connor. My wife, Nancy Knowles, found an old copy of “Christmas Stories” by Dickens sitting on a shelf at my in-laws’ house and suggested we extract quotes from “The Chimes” to write some songs. It was right after Christmas 2008. I frequently have a creative rush at the end of the year – free time and a beautiful place to hole up for a couple of weeks. I set right to work, and met my goal of finishing the piece on the afternoon of December 31.

Here’s a quote from the second song: “The year was Old, that day. The patient Year had lived through the reproaches and misuses of its slanderers and faithfully performed its work.” And the fourth: “I see the Spirit of the Chimes among you! I know that our inheritance is held in store for us by Time…I know that we must trust and hope, and neither doubt ourselves, nor doubt the good in one another. I have learnt it form the creature dearest to my heart…. O Spirits, merciful and good, I am grateful!”…the Bells, the old familiar bells, his own dear, constant, steady friends, the Chimes, began to ring the joy-peals for a New Year: so lustily, so merrily, so happily, so gaily, that he leapt upon his feet, and broke the spell that bound him. They WERE ringing! Bless their steady hearts, they WERE ringing! Great Bells as they were; melodious deep mouthed, noble Bells…when had they ever chimed like that before! …So may the New Year be a happy one to you! So may each year be happier than the last.”

Here is the whole book if you would like to read more and see the gorgeous drawings! [Click on magnifiers if you do not see anything.] The selections for the song-cycle are below.

From Christmas Books, The Chimes, by Charles Dickens, 1843-48.

I.  The year was Old

The year was Old, that day.  The patient Year had lived through the reproaches and misuses of its slanderers and faithfully performed its work. Spring, summer, autumn, winter.  It had laboured through the destined round, and now laid down its weary head to die.  Shut up from hope, high impulse, active happiness, itself, but active messenger of many joys to others, it made appeal in its decline to have its toiling days and patient hours remembered, and to die in peace.

II.  It was a hard frost

It was a hard frost, that day.  The air was bracing, crisp, and clear…The wintry sun, though powerless for warmth, looked brightly down upon the ice it was too weak to melt, and set a radiant glory there.

III.  Good night.  Good bye!

Good night.  Good bye!  Put your hand in mine, and tell me you’ll forget me from this hour, and try to think the end of me was here….  There’ll be a Fire to-night, There’ll be Fires this winter-time, to light the dark nights, East, West, North and South.  When you see the distant sky red, they’ll be blazing.  When you see the distant sky red, think of me no more; or, if you do, remember what a Hell was lighted up inside of me, and think you see its flames reflected in the clouds.  Good night, Good bye!

IV.  Spirit of the Chimes

“I see the Spirit of the Chimes among you! I know that our inheritance is held in store for us by Time.  I know there is a sea of Time to rise one day, before which all who wrong us will be swept away like leaves, I see it, on the flow!  I know that we must trust and hope, and neither doubt ourselves, nor doubt the good in one another.  I have learnt it form the creature dearest to my heart….  O Spirits, merciful and good, I am grateful!” …the Bells, the old familiar bells, his own dear, constant, steady friends, the Chimes, began to ring the joy-peals for a New Year: so lustily, so merrily, so happily, so gaily, that he leapt upon his feet, and broke the spell that bound him. They WERE ringing!  Bless their steady hearts, they WERE ringing!  Great Bells as they were; melodious deep mouthed, noble Bells…when had they ever chimed like that before!  …So may the New Year be a happy one to you! So may each year be happier than the last.

Syzygy | song cycle by Nancy Knowles and Frank A. Wallace

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Syzygy
by Frank A. Wallace

sixteen songs for mezzo-soprano and guitar, op. 39; poems by Nancy Knowles
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Lyrics: Poetry by Nancy Knowles

Written: 2006

Duration: 38 minutes; 44 pages

Instrumentation: mezzo-soprano and classical guitar (10-string optional)

Difficulty level: difficult

Vocal range: A3 – G5 [one high Bb]

Language: English

World premiere: June 20, 2006 at Star Island by Duo LiveOak

All Gyre compositions are ASCAP
Copyright ©2006 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

Syzygy was written in the winter of 2006. The performance in the video, from an April 2008 Duo LiveOak performance at Cal State Fullerton, is a selection of 10 songs and short readings from Nancy Knowles’ play Luna. Knowles looks at the healing power of art through the story of her mother, an artist who survived multiple tragedies, painting her way well into her nineties. The song cycle begins with:

Credo

What is greatness, if not the shedding
of lesser stuff
if not the daring to be alone

Content simply
to play,
fool around
with divine mischief?

A burst here
a sigh there,
scribbling
slow and fast
and lingering
long enough
for all
to join the fun,
the wonder

by Nancy Knowles

Read complete lyrics on this PDF document: Syzygy by Nancy Knowles

Speak Love | seven songs for medium voice & guitar by Frank A. Wallace

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Speak Love
by Frank A. Wallace

seven songs on the joys and sorrows of love; for medium voice and guitar, op. 34
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Lyrics: poetry by Henriette de Saussure Blanding (1911)

Written in:  March, 2005

Duration: 17 minutes; 16 pages

Instrumentation:  medium voice and classical guitar

Vocal range:  G#2 – F#4 or oct. higher

Difficulty level:  moderate for both parts

World premiere:  April, 2005 at various venues in Germany by Frank Wallace

Recording:  The Great Deep by Duo LiveOak on Gyre, 1/11/11

All Gyre compositions are ASCAP
Copyright ©2005 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

Speak Love as performed by Duo LiveOak on Gyre CD The Great Deep

This song-cycle was conceived at an overnight stay at guitar scholar Thomas Heck’s home in Santa Barbara in March, 2005. Speak Love is set to hauntingly beautiful love poems by Henriette de Saussure Blanding (1891-1973). Frank “fell in love” with Henriette, Anne Heck’s grandmother, and her passionate poetry from 1911. She wrote the poems while still a teenager, he composed the first five songs within two weeks and debuted the cycle only a month later while on tour in Germany. Two songs were added in the summer of 2005. It is dedicated to various couples of the American guitar world including The Hecks, The Longs and The Danners.

Gyre Publications
Copyright ©2005 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

Speak Love (2005)
Poems by Henriette de Saussure Blanding
used by permission of the family

Song
Were I a bird I would wing to thee
Were I a lark I would sing to thee
Were I a star I would shine for thee
Were I a lover I’d pine for thee.

Were I the breeze I would blow for thee,
Were I the rose I would grow for thee,
Were I a wave I would break for thee,
Were I a heart I would ache for thee.

Were I the wind I would sigh for thee,
Were I a hero I’d die for thee,
None of these gifts can I give to thee,
Bid me, dear, only to live for thee.

Absence
Tonight I cannot see your eyes
Smile sweet in-to my own
The last faint ray of daylight dies
I sit in dark alone
Yet through yon stars that brightly shine
I know your heart is seeking mine.

Tonight I cannot hear your call
Across the deadening years
That rise between a giant wall
That yields not to my fears.
Yet in the sobbing of the sea
I know your spirit speaks to me.

Tonight I may not feel the touch
Of clinging fingertips
Tonight my heart yearns over much
With hungering for your lips
Yet love may bid time backward roll
This hour I clasp you soul to soul.

Song
What light may e’er relieve the gloom
Through which men blindly grope?
I looked into your eyes, my sweet,
And found that light was Hope.

What power of men or e’en of gods
May rend the bonds of death?
I looked into your heart, my sweet,
And felt that power was Faith.

What truth may lift our sordid lives
From earth to heaven above?
I looked into your soul, my sweet,
And knew that truth was Love.

Death in Life
If while your love were still my very own,
Cold Death had laid his hand upon your heart,
I would have bowed my head and made no moan,
Scorning a power too weak our souls to part.

I would have longed for voice and lips and hands,
Yet with the wanderingnight winds from the sea,
Our souls had still embraced in mystic lands,
Known only to Love’s holy sympathy.

Such sacred grief were blessedness…Tonight
Mine is the anguish of a different lot:
To know your lips as sweet, your eyes as bright,
And, searching for your soul— to find it not!

Isolation
When I was but a child and knew not pain,
One day you clasped me closely to your breast,
And on my cheek your lips convulsive pressed,
While o’er my face the hot tears fell like rain.

That hour was long ago, Then why today
When years have given me my rightful part
In the soul’s sorrow, [Why, Why] do you close your heart
To love, and smiling, turn your face away?

Twilight
We spoke no word, nor did we look again
At one another. Down yon purple steeps
The glow of evening faded; from the deeps
Uprose the sullen roaring of the main.
A sudden wind swept o’er the misty plain,
Then?silence and the stars; and lo, a cry,
Voiceless, as a soul in agony,
Rang through the stillness, while our hearts with pain
Throbbed wildly through the darkness, as a clod
Roused by Spring’s life; then?nothing.
Though no word
We spoke, nor looked again, [at one another] we silent heard
Through all our being ring the voice of God.

Dawn
I strayed alone through realms of night,
And waiting hopeless for the dawn,
I thought before the break of morn
To see afar a beam of light?
And lo, the star I thought to rise,
I found your eyes.

I wandered through a sunless land
Along the copper streakèd sea
That hurled itself in mastery
Across life’s barren waste of sand,
And as I longed for Spring the while,
I found your smile.

I gazed into the jaws of Hell
And there I read that sin and shame
Are life’s true masters, and the name
Of friendship false?my idols fell,
But when I fain would curse life’s whole,
I found your soul.

Review by David Isaacs in Soundboard Vol 40, No. 1

This collection of seven love songs, a setting of the poetry of Henriette de Saussure Blanding, grandmother to guitarist Thomas Heck’s wife, written from 1909 to 1910, is breathtaking and instantly engaging. From the opening melody of Were I a Bird, Frank Wallace captures the listener with his intriguing sense of beauty. He uses odd time signatures, arpeggio bursts, rhythmic themes, chromaticism, unmeasured passages, harmonics and tambours to bring
these words to life. No matter how intricate the tuplets or the time signatures, the melodies remain graceful and intensely expressive.

A couple of these songs are wonderful pieces to introduce young guitarists and singers to the idea of working together. The pieces work well individually, as smaller groups, or the entire collection could be presented in a little over fifteen minutes. The vocal range is G-sharp 2—F-sharp 4, or an octave higher at an intermediate level, and the guitar parts vary from simple to intermediate level playing. The presentation of the set is pristine, with fingerings and notes to guide preferred tempo changes. Recordings, samples and digital versions are available at: www.gyremusic.com –
David Isaacs

Anthology for Voice and Guitar | 15 songs by Frank A. Wallace

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by Frank A. Wallace
anthology of fifteen selections from six different song-cycles (2001 to 2005); includes two duets for mezzo-soprano and baritone
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Duration: 30 pages

Instrumentation: voice and guitar

All Gyre compositions are ASCAP
Copyright ©2010 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

from Speak Love 2005
I. Were I – Henriette de Saussure Blanding
II. What Light – Henriette de Saussure Blanding

from Syzygy 2003
III. Afterglow – Nancy Knowles
IV. Mon Compain – Nancy Knowles

from Father Said: (2003)

lyrics by Frank C. Wallace
V. The Cage
VI. The River
VII. Climbing Cliffs
VIII. The Taste
IX. Pungent Odor
X. Shade
XI. Dusk

from How Fragile She Is 2004

XII. New Moon – Frank A. Wallace
XIII. Hidden Seeds – Nancy Knowles

from A Single Veil 2001
XIV. Love Comes Quietly – Robert Creeley

from Bestiary 2001
XV. The Lady and the Bear – Theodore Roethke

Gyre Publications
Copyright ©2011 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.