So to Serenade

Price: $9.95
by Frank A. Wallace
for flute and guitar; PARTS INCLUDED

Preview: a sample PDF of So to Serenade

Duration: 10 minutes; 8 pages

Difficulty level: Moderate technically

Instrumentation: flute and guitar

Written: February, 2014 for Pandora Duo

Commissioned by: the Hartt School of Music Guitar Department at the University of Hartford, CT with assistance from the Augustine Foundation

World premiere: April 12, 2014 at the Hartt School, Hartford, CT

Recording: coming on Gyre, fall 2014

All Gyre compositions are ASCAP
Copyright ©2014 Frank A. Wallace
Cover photography and design by Nancy Knowles
All rights reserved.

PandoraSo to Serenade, flute and guitar, was written for Pandora Duo: Christopher Ladd, guitar; Janet Arms, flute

Award winning guitarist Christopher Ladd is rapidly becoming known throughout the country as one of the most promising young classical musicians.  Praised as “… an exercise in extremes.” by Soundboard Magazine, he is highly sought after as a soloist and chamber musician.  Performances of note as a soloist or as part of an ensemble include the DiMenna Center in New York City, the Kennedy Center in Washington D.C., the Viennese Opera Ball hosted by the Austrian Embassy, the historic Byrdcliffe Theater in Woodstock, NY and for former vice-president Al Gore at his residence in Washington, D.C. Most recently he has had the opportunity to work with Grammy and Academy Award winning composer John Corigliano, in a performance of his work “Troubadours” for guitar and chamber orchestra conducted by Edward Cumming. Mr. Ladd currently serves on the faculty of The Hartt School in West Hartford, Connecticut, Central Connecticut State University and the New England Music Camp in Sidney, Maine.

Flutist Janet Arms has been a member of the New York City Opera orchestra since 1988 and on the faculty of The Hartt School since 1994, where she currently holds the title of Senior Artist Teacher. Educated at Hartt and The Juilliard School, Ms. Arms was named a prizewinner of the Concert Artists International Competition while completing her Master’s at Juilliard. She was presented in her Carnegie Hall debut the following season, a high profile beginning to an extended, multi-faceted musical journey. She has performed and recorded with the New York Philharmonic, the Metropolitan Opera, the Boston Symphony Orchestra in Boston, at Tanglewood, and on tour, has been guest principal flutist with the St. Louis Symphony in the US and on a month-long tour throughout Europe, and stepped in as a last minute substitute with the Israel Philharmonic at Carnegie Hall in a concert featuring both Pinchas Zukerman and Itzhak Perlman.

So to Serenade
Eight works composed by Frank A. Wallace in winter 2014 comprise As It Could Be, a chamber suite commissioned by and dedicated to the Hartt School of Music Guitar Department and its founder/director Richard Provost on the occasion of their 50th anniversary. The project was conceived at dinner following a concert of the New England Guitar Quartet at the Hartt Festival in the summer of 2013. My interest in writing chamber music melded perfectly with Dick’s desire to plan a celebration/concert for the Anniversary. Dick suggested using The Man with the Blue Guitar by Wallace Stevens (a resident of Hartford, CT) as a source of lyrics for a song to include. This incredible testimony to art and its role in changing society became inspiration for the music and titles. The possibilities for chamber music with guitar, guitar orchestra and ensembles are only beginning to be fully realized. Thank you Dick (and all your colleagues) who brought the guitar out of the dark ages and into a brilliant new community of creativity and progress through your courage, hard work and vision. Thanks to the Augustine Foundation for their support of this project. Let us imagine a future as it could be: “Things as they are / Are changed upon the blue guitar.” [Stevens]